‘Love Story’, ‘Paper Moon’ Actor 82 – Deadline

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Ryan O’Neal, the Oscar-nominated Love Story a filmmaker who starred in some of the most memorable films of the 1970s, from What, Doc and Paper Moon yes Barry Lyndon, died today. He was 82 years old.

His death was announced by son Patrick O’Neal on Instagram. Although no cause has been confirmed, O’Neal has struggled with health issues for years, from being diagnosed with leukemia in 2001 and stage 4 prostate cancer in 2012.

“This is the hardest thing I’ve ever said but here we go,” wrote Patrick O’Neal, a longtime Los Angeles sports fan. “My father died peacefully today, with his loved ones by his side supporting him and loving him as he did us.”

“This is very difficult for us,” Patrick said in a long walk. “Ryan made such an impact and this will be difficult without him. This will be a huge opportunity in our lives.”

For many years one of the most sought-after stars of his generation, O’Neal appeared to face other great talents (Barbra Streisand, Ali MacGraw, his Oscar-winning daughter Tatum O’Neal) and worked for several the best directors of Hollywood (Peter. Bogdanovich, Richard Attenborough, Stanley Kubrick, Walter Hill).

But fame, made famous. His high profile and long love and breakup with Farrah Fawcett caused countless headlines, many of which focused on his infidelity. Substance abuse and addiction will dog him and his family, with Tatum’s daughter and Griffin’s son especially affected by the disease. His marriages and relationships – first to actress Joanna Moore, second to actress Leigh Taylor-Young (who spoke of O’Neal’s “temper and frustration”; and the friendship with Fawcett – which was tense and often ended in anger.

In his IG post today, Patrick O’Neal wrote, “Ryan didn’t brag. But he has a right to Heaven. Especially when it comes to Farrah. Everyone had it.” poster, she had the real McCoy. And now they’re reunited. Farrah and Ryan. She misses him so much. What a hug it should be. Together again.”

While his personal life is often made for negative emotions – in addition to the turmoil of friendships there were conflicts and difficult feelings with at least some of his children – his performances on the screen of some of the most interesting and memorable. the golden years of the 1970s of Hollywood.

He first came to the public in the 1960s soap opera Peyton Place, starring Mia Farrow, and made an easy transition to the big screen. As McGraw’s heartbroken beauty Jenny is cursed with the famous crybaby Love Story (1970) made him an overnight heartthrob and “Love means you never have to say you’re wrong” is a classic and funny statement.

He showed a real talent for slapstick comedy in Bogdanovich’s 1972 comedy What, Doc? playing the foil like Cary Grant caught between Streisand’s Judy and Madelyn Kahn’s mischievous Eunice.

Kahn and O’Neal will reteam in Bogdanovich’s classic 1973 Depression-era comedy Paper Moon, with O’Neal showing another side of his talent in a funny and heartbreaking performance as young-but-smart Addie Pray of Tatum. The movie starred the young Tatum, who became the youngest Oscar winner for his performance.

After establishing himself as a comedy movie star, O’Neal suddenly turned heads in 1975 with Kubrick’s epic. Barry Lyndon, a film that attracted mixed reviews upon its release – despite multiple Oscar nominations, the film was largely maligned for its pacing and, in an era of Hollywood that celebrated grit, his beautiful paintings of the 18th Century. In the title role, O’Neal was criticized as appearing too modern to play William Makepeace Thackeray’s arriviste rogue. But the years have been kind to O’Neal’s film and acting: Today, Barry Lyndon is often considered one of Kubrick’s greatest efforts.

AGAIN…

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